Teching for Live Sound Engineers
The role of FOH or Monitor Tech differs from the role of system and stage techs, system engineers and crew chiefs.
The role of FOH or Monitor Tech differs from the role of system and stage techs, system engineers and crew chiefs.
George has well over three decades of industry experience, with a strong background in touring, production management, and business development. Now this California native is at Sound Image as general manager.
Gavin Lurssen and Reuben Cohen sit down for a discussion on analyzing and navigating a challenging mix before or during the mastering process.
Equalizers can serve multiple purposes in mastering. See how the team at Lurssen Mastering combines different equalizers in order to get a fully expanded dynamic range for a song.
Wes Maebe joins Daniel from RAK Studios in London to talk about coming up through the ranks, seamlessly weaving modern digital and retro analog, and squeezing the very best out of every session.
LPS (formerly Tour Link) has welcomed thousands of participants and partners to attend the premier conference for live events & entertainment production professionals for well over a decade.
One of the best mixers of our time, Michael has worked from everybody from Aretha to Coldplay to James Brown to Dylan.
Larsen is the Vice President of Sales for the US Distributor, Group One Limited. Chip is Digico technical support, and an amazing resource for all that is @digico.official.
Coming up on Wednesday is SoundGirls’ next Ask the Experts – Mixing for Broadway and Theatre.
Part 2 will outline best practices for artists, producers and engineers engaging in remote collaborations and explore new technologies for remote recording.
This Week’s Episode is Alesia Hendley – AV sales engineer, multimedia journalist, and content creator.
This week Gavin Lurssen and Reuben Cohen demonstrate how to align a tape machine for flat transfers.
Best known for writing Bonnie Raitt’s multi-platinum “Love Letter” and “Have a Heart,” Bonnie Hayes’ songs have been recorded by artists like Bette Midler, Cher, Robert Cray, and Adam Ant, to name a few.
David is a legendary FOH sound engineer who has worked in this business since the mid 70’s. His clients include The Doobie Brothers, Jackson Browne, Michael McDonald, Kenny Loggins, Glen Frey, Whitney Houston, Paul Simon, Bette Midler, James Taylor, Stevie Nicks, Steely Dan, and Fleetwood Mac to name a few.
Touring with Rick Wakeman, writing and producing with Adele and Stormzy, playing guitar with Fatboy Slim. Need they go on?
For many years, the need for a wave-based, computer-modeling tool capable of facilitating predictive, iterative analysis required to optimize small room design (i.e. studios, home theaters, audiophile rooms, etc.) has been the acousticians’ ‘Holy Grail.” Enter NIRO™.
Register for Believe in Music Week and check out the global gathering to unify and support the people who bring music to the world.
This Week’s Episode is Krysten Dean “KD”: Staff/Systems Engineer 8th Day Sound, and CEO of KMissionD.
Producer/engineer Erik was a part of the legendary George Duke’s secret sauce, live and in the studio, for more than 30 years, as well as recordings with Patti LaBelle, Stanley Clarke, James Ingram, Al Jarreau, and more.
Omni members have been invited on a free private tour of Ear Trumpet headquarters in Portland, Oregon with Malachi Graham. Learn more about their manufacturing process, company mission, and incredible employees.
The SoundGirls Living History project is a collection of interviews with audio industry veterans. The project seeks to highlight the careers and achievements of women and underrepresented groups in audio.
For the last 20 years, Cheryl has been a tour manager and accountant for Blondie, Slash featuring Myles Kennedy & the Conspirators, Billy Talent, Todd Rundgren, Meat Loaf, Steven Tyler, Donna Summer & many others.
Join panelists Leslie Gaston-Bird, Jamie Angus, and Bert Kraaijpoel for a walkthrough of how to submit an abstract, précis, and paper to an academic conference.
This week’s guest is Eric Valentine, a true polymath. Aside from producing Queens of the Stone Age, Smash Mouth, Slash and many more, he also builds recording equipment, runs studios, and finds time to make extensive videos on making records.
The SoundGirls Podcast – Resonating Beyond Sound speaks to audio professionals from all walks of life, to learn how we can better support one another towards a more diversified industry